Presentation master class "cold batik". Presentation "knotted batik" Cold batik abstract children's presentation

  • 04.04.2021

Knotted batik

Master Class

Batik is one of the first ways to decorate fabric. It has been known in the countries of the East since ancient times. In Indochina nodular technique existed before the 7th century. In India, it is still widely used today under the name of bandh. e th (bandh a na, bandh and nor), which means "tie-dye". The drawing consists of many white and colored dots. Creating a pattern by stitching fabric is a more sophisticated technique. In Indonesia, this technique is called tr and teak.

Batik is an Indonesian word. Translated from Indonesian, the word "ba" means cotton fabric, and "-tik" means "dot" or "drop". Ambatik- draw, cover with drops, hatch.

Types of batik

There are several types of batik - hot, cold and nodular. They differ in the way tissue is reserved.

Painting made in the technique of hot batik

Painting made in the technique of cold batik

Picture made in the technique of nodular batik

Having studied the basic techniques of nodular batik, you can make a beautiful neckerchief.

Materials and tools for knotted batik Materials and tools for knotted batik

  • the cloth;
  • special paints;
  • cotton threads No. 10 and cotton ropes of different thicknesses. Ropes and cords are needed not only to fix the folded fabric, they themselves form a pattern of thin or wide stripes.
  • Many nodular dyeing techniques require the fabric to be folded. In order to better fix the folds, you will need an iron. In addition, pebbles, beads, buttons, dried peas will come in handy.

Batik fabrics

To make a product using the batik technique, you can use the following types of fabrics: cotton; linen, satin, crepe de chine, chiffon, silk. Basic techniques are best practiced on cotton fabric.

Batik paints

For dyeing, you can use aniline dyes or special paints for batik.

Technology for making knotted batik

  • fabric preparation for dyeing;
  • paint preparation;
  • dyeing;
  • product drying.
Preparing fabric for dyeing
  • tying knots;
  • making patterns;
  • folding;
  • stitching.

The main technique in knot dyeing is tying the fabric into ordinary knots.

Tying on a shared thread

Tie on an oblique thread

centric circle

To create a marble pattern, crumple the fabric into a ball and wrap it with a rope. After dyeing, you will see chaotic spots and streaks. If the tying and dyeing of the ball is done several times, a richer and more varied pattern can be obtained.

When dyeing in the nodular technique, peas, beads, pebbles, round buttons are additionally used. Wrap any of these items in fabric and tie them tightly with thread. The fabric fitting the object will be painted evenly, and a star-shaped rounded shape will turn out around.

folding

Folding forms on fabric geometric patterns, and also allows you to repeat the pattern formed by the windings as many times as the fabric was folded. The fabric can be folded both in a straight line and diagonally.

Folding the fabric four times and pleating it diagonally, we get a cruciform star.

Flowers: pleat the fabric folded in half, fold in the corners at the top fold.

Stitching Stitching of fabric is used, as a rule, in combination with folding and wrapping techniques with threads and ropes. First you need to mark the drawing with a simple pencil, then sweep the fabric along the marked lines with a harsh thread (No. 10). The stitch length should not be large - no more than 5 mm. After that, the thread is tightly tightened so that the paint does not penetrate into the folds. The ends of the threads serve as a winding, but if desired, it can be strengthened with a rope.

By stitching the fabric diagonally, you will get slanted stripes.

The combination of folding and stitching allows you to get a pattern in the form of clear diamonds.

Dyeing If the paint is dry, dilute the dye in the jar according to the instructions on the package and strain before pouring into the dye container. Add the required amount of hot water and gradually heat up to 40-45°. Then dip the fabric into the dye. Slowly bring the dye to a boil and continue to simmer over low heat. Remember, if you are dyeing fabric in different colors, then start with a light color and finish with a dark color. If you are dyeing cotton fabric, then after 20 minutes. boil it must be removed, put table salt(2 tablespoons per 2-5 liters of water) and dip the cloth into the solution again. After that, boil for another 30 minutes. When dyeing woolen or silk fabric, instead of salt, add 1 tablespoon of vinegar essence to 4-5 liters of water. After finishing dyeing, leave the fabric in the solution until it cools down to 60-70 °, then rinse it first in warm ), then in cold water. Finally, remove the windings, untie the knots and rinse the fabric again. In the last rinse, add 1-3 tablespoons of vinegar to 10 liters of water.

For multi-color dyeing, you can pre-paint the fabric with stripes, circles, spots, or splatters of color, and then fold, knit, and dye the fabric as you normally would.

You can repeatedly lower the fabric into the paint. After the first dyeing, rinse the fabric without untying, straighten the folds, tie new knots and windings and dye in a darker tone. This process can be repeated many times, each time dyeing the fabric a darker color.

Dried works are ironed with a hot iron on both sides.

Master class results

slide 1

Lesson topic: Batik

MBOU "Vilyui Secondary School No. 3 named after. Hero Soviet Union N.S. Stepanova "Vilyuisky Ulus Republic of Sakha (Yakutia)

Technology teacher Kirillina Zinaida Semyonovna

Vilyuysk

slide 2

The purpose of the lesson:

To acquaint with the technique of batik, with types, tools for batik; learn to paint on fabric; develop creative imagination, cultivate interest in decorative art.

Equipment:

Product samples. Paints and brushes. Album. Jar for water.

Batik, wax mass, reserve, glass tube

slide 3

Batik technology fabric dyeing. The word "batik" in Indonesian means hand-painted fabric: "ba" - cotton fabric, and "tik" - a dot or drop. Wax mass is a special reserve composition, the main component of which is beeswax or artificial wax. The wax mass is used only for hot batik. Reserve - the composition that is used to create a reserving line. The reserve serves as an insurmountable barrier for the dye in the process of painting. A glass tube is a tool for applying a reserve when painting using the cold batik technique.

slide 4

What is batik?

This is a fabric dyeing technology or a generalized name for a variety of methods for hand-painting fabric. All these techniques are based on the principle of redundancy, - applying special composition, which does not let paint through to those places of the fabric that should remain loose and form a pattern.

slide 5

Composition and color

The work begins with the selection of material on a given topic, sketches, gradually thinking through the tone, graphic and color scheme of the composition

slide 6

According to the method of dilution (alcohol, water)

Odorless, pure color, high color fastness

According to the method of fixing (using an iron, steam)

Liquid paint, dry

Slide 7

Brushes and fabrics

The brush is an important working tool, on which the quality of work depends. In shape - round, flat, fan. Material from marten, squirrel, kolinsky fur.

The fabric should be made of natural fibers Cotton, silk.

Slide 8

Tools and fixtures:

Wax is used as a reserve agent.

Sliding frames and stretchers

Glass tube For applying a reserve composition to the fabric

Hairdryer to speed up the drying process

Template - clear drawing

Silk pins

Slide 9

Execution sequence:

Sliding frame: Fasten the fabric with buttons, first in the corners and then in the middle. The more buttons, the smoother the fabric will lie.

Stretcher Spread the fabric and lay the stretcher Align the contours of the fabric, fold one side and fasten.

Place the pattern template under the fabric and transfer the pattern to the fabric with a pencil.

Slide 10

hot batik

The hot method is called because the reserving agent is applied to the fabric with a bristle brush First, a dye is applied, then hot wax is applied with a bristle brush. Then repeat the reservation procedure, and painting over. Dry the fabric. After the wax has cooled, paint the work again in color.

slide 11

Cold batik

Draw a template Apply a pattern to the fabric Using a syringe, place a reserve in a tube Apply a reserve composition along the contour Dry for 40-50 minutes. Proceed to paint the background,

slide 12

Knotted batik

Find the center of the fabric and tie tightly with a thread, then stepping back a little from the center, tie a few more circles. Each such strapping after dyeing forms a light circle. After the fabric has been dyed, rinse thoroughly in warm water. Untie threads. Iron to fix the paint.

The first Europeans who began to use batik in the manufacture of decorative fabrics in the first half of the 19th century were the Dutch. Soon the Germans begin the production of batik and put it on stream, thereby preserving the accumulated technological processes making batik in Europe. Dyeing of fabric was also known in Ancient Russia under the name of cube heel. The pattern on the fabric (mostly it was homespun canvas) was applied using special carved boards covered with "vapa" - a protective composition. Then the fabric was lowered into a cube - a cauldron with blue paint. After a few minutes, they were pulled out, rinsed and dried. The places where there was a vapa remained unpainted, while the background had a bright blue color. One of the blue shades is now called "cubic". In the twentieth century, the invention of the reserve composition made Russia the birthplace of cold batik. In Indochina, knot technology existed even before the 7th century. In India, it is still widely used today under the name bandhey (bandhana, bandhini), which means "tie-dye". The drawing consists of many white and colored dots. Creating a pattern by stitching fabric is a more sophisticated technique. In Indonesia, this technique is called tritik.

slide 2

The purpose of the lesson:

To acquaint with the technique of batik, with types, tools for batik; learn to paint on fabric; develop creative imagination, cultivate interest in decorative art. Equipment: Product samples. Paints and brushes. Album. Jar for water. Vocabulary: Batik, wax mass, reserve, glass tube

slide 3

Vocabulary

Batik is a textile dyeing technique. The word "batik" in Indonesian means hand-painted fabric: "ba" - cotton fabric, and "tik" - a dot or drop. Wax mass is a special reserve composition, the main component of which is beeswax or artificial wax. The wax mass is used only for hot batik. Reserve - the composition that is used to create a reserving line. The reserve serves as an insurmountable barrier for the dye in the process of painting. A glass tube is a tool for applying a reserve when painting using the cold batik technique.

slide 4

What is batik?

This is a fabric dyeing technology or a generalized name for a variety of methods for hand-painting fabric. All these techniques are based on the principle of redundancy - the application of a special composition that does not allow paint to pass through those places of the fabric that should remain loose and form a pattern.

slide 5

Composition and color

The work begins with the selection of material on a given topic, sketches, gradually thinking through the tone, graphic and color scheme of the composition

slide 6

Paints

According to the method of dilution (alcohol, water) Odorless, pure color, high color fastness According to the method of fixing (using an iron, steam) Paint liquid, dry

Slide 7

Brushes and fabrics

The brush is an important working tool, on which the quality of work depends. In shape - round, flat, fan. Material from marten, squirrel, kolinsky fur. The fabric should be made of natural fibers Cotton, silk.

Slide 8

Tools and fixtures:

Wax is used as a reserve agent. Sliding frames and stretchers Glass tube For applying a reserve composition to the fabric Hair dryer to speed up the drying process Clear pattern pattern Pins for silk

Slide 9

Execution sequence:

Sliding frame: Fasten the fabric with buttons, first in the corners and then in the middle. The more buttons, the smoother the fabric will lie. Stretcher Spread the fabric and lay the stretcher Align the contours of the fabric, fold one side and fasten. Place the pattern template under the fabric and transfer the pattern to the fabric with a pencil.

Slide 10

hot batik

The hot method is called because the reserving agent is applied to the fabric with a bristle brush First, a dye is applied, then hot wax is applied with a bristle brush. Then repeat the reservation procedure, and painting over. Dry the fabric. After the wax has cooled, paint the work again in color.

slide 11

Cold batik

Draw a template Apply a pattern to the fabric Using a syringe, place a reserve in a tube Apply a reserve composition along the contour Dry for 40-50 minutes. Proceed to paint the background,

slide 12

Knotted batik

Find the center of the fabric and tie tightly with a thread, then stepping back a little from the center, tie a few more circles. Each such strapping after dyeing forms a light circle. After the fabric has been dyed, rinse thoroughly in warm water. Untie threads. Iron to fix the paint.

slide 13

Free painting technique

Prime with saline. The pattern starts with light spots. Gradually move on to dark spots. To make the pattern seem expressive, apply selectively with a black reserve.


Batik - batik is an Indonesian word. Batik - batik is an Indonesian word. Part of the word - tik - means "dot" or "drop" in all Indonesian languages; - ba - cotton fabric. Ambatik - draw, cover with drops, hatch. In common usage, batik refers to hand-painted fabric. Batik is a technology for dyeing and decorating fabrics.


Where did batik come from? The Chinese in 2500 BC mentioned that dyes were used for fabric. Ancient samples of painted fabrics were discovered on the territory of Egypt. Scientists date these finds to the 5th century AD. But it is generally accepted that batik originated in Indonesia, on the island of Java, from there it was transferred to other Asian countries, and in modern times to Europe. In Russia, batik appeared around the 20s of the XX century. along with the general enthusiasm for the Art Nouveau style, it developed mainly in large cities: Moscow, Leningrad, Ivanovo.


Batik - hand-painted on fabric using reserve compositions. Batik - hand-painted on fabric using reserve compositions. On the fabric - silk, cotton, wool, synthetics - the paint corresponding to the fabric is applied. To obtain clear boundaries at the junction of paints, a special fixer is used, called a reserve. There are several types of batik - hot, cold, nodular, free painting. They differ in the way tissue is reserved.


Hot batik. Wax is used as a reserve in hot batik. Wax is applied using a special tool called chanting. Waxed areas do not absorb paint and limit its spread. Hot batik is so called because the wax is used in a "hot" molten form. The fabric is then dyed by immersion in dye cauldrons. This method is mainly used for painting on cotton fabric. Upon completion of work, wax is removed from the surface of the fabric. The effect of painting is achieved through the layer-by-layer application of paint.


Three ways to apply wax. Wax is applied with a brush on the entire plane of the motif, and the background is painted. It turns out a negative picture - white on a colored background. Wax is applied to the background and internal lines of the motif, and the drawing itself is painted. Apply wax in large patches of indefinite shape. You should not stroke all the contours of the motif with a brush first, as these stripes will appear during dyeing. The most difficult way - wax is applied only to the contours of the pattern. To do this, use chanting. Working with it is very difficult, you need to train a lot to make the contours even. If the composition is not applied hot enough, it will not penetrate the fabric, and the reserved places will be stained.


Multicolor hot batik. Multiple staining is possible both with surface staining and with batik immersion in paint. With surface staining, after the first staining, a new pattern is applied to the dried fabric with wax. Then comes the second coat of paint. As a pattern, you will get both white areas and areas that have retained the color of the first painting, surrounded by a darker color. You can continue this process as many times as you have enough imagination. Important! Paints applied to places not covered with wax are mixed. Accordingly, it is necessary to start with lighter tones and move on to darker ones.


Technique ("bandan") Technique of nodular batik ("bandan"). One of its types - the plangi technique - was common in India. The unpainted canvas was covered according to the pattern with very small knots, tightly tied with a thread. Then the fabric was dyed, the threads were removed, resulting in a pattern of white "peas". If necessary, you can dye the fabric several times, removing old knots and adding new ones. Dressing threads were removed from the dried fabric, but the finished product was not ironed, due to which long time the effect of "tightness" was preserved. Nowadays, nodular painting means more simple options. For example, a pattern in the form of a circle ("sun") or several circles. When dyeing a dry fabric, you can get a sharp border between the dye and the undyed fabric, but if the fabric is wet (moistened and well wrung out), smoother borders of color transitions can be obtained.


Cold batik. In the technique of cold batik, aniline dyes are used. The role of the circuit is performed by the reserve composition. There are colored and colorless reserves. The cold reserve is applied with special tools - glass tubes with a reservoir, or reserves are used in tubes that are equipped with an elongated spout.


Free painting. The technique of free painting has become widespread, as it reveals the originality of the handwriting of each artist and the individual originality of works inherent in manual labor. Free painting on natural silk fabrics is done mainly with aniline dyes (sometimes with various thickeners), as well as oil paints with solvents. Particularly interesting results are obtained from the combination of free painting with contour guidance and finishing with a reserve composition.